Saturday, April 17, 2010

McDonald’s and the Missions Etrangeres de Paris PART 1:



Zach in Aberdeen

I went to McDonald’s this morning.
I totally bought my coffee there. In my defense, it was a last resort. I couldn’t find anything else in the area that sold coffee to take-away (to go).
I, very conscientiously, haven’t been inside fast-food restaurant for over 5 years. I dislike them, and feel that they often embody many of the things I dislike about American consumerism and the overwhelming impact corporations have on our daily lives.
And yet….
Standing in line, I was deeply conscious of how stupid it was being an American, buying American coffee at an American-based fast-food chain while surrounded by the myriad other options that Hong Kong offers.
Sometimes, you just need your coffee to go, yo.
More precisely, sometimes you need the reassuring comfort of familiar rituals and patterns.
Don’t get me wrong. I’m loving Hong Kong. Not at all yearning to return to the States.
I’m just noting, with some degree of amusement, how I’m coping with being a foreigner here. I consider myself a pretty savvy, adventurous traveler. I’m pretty much down for anything. But still, I’m noting that, even though there’s a Circle K, 7-11, or KFC on every corner; even though English is spoken nearly everywhere, even though this was city borne out of westernized expansion and commerce, I’m still grappling with notions of foreignness.
And of course, in light of the project we’re about to embark on, this all broaches the question:
If I’m grappling with being a stranger in a strange land, how must these French Missionaries have felt?
…. I bet it was really, really hard for them to find coffee to go.

Bethanie served missionaries who’d been working throughout Asia. These priests were often the vanguard of westernization. They were quite literally placing themselves in contexts and cultures that were utterly unfamiliar and unknown.
For many of them, Bethanie was a haven. A place that provided succor, and where they sought solace, healing, rest.
So In light of all of this, I’m pondering: What is the nature of foreignness? Why are we rattled by that which is alien? Are we such creatures of habit that unfamiliar customs panic us? What are the things, the rituals that give solace? Why is it easy to get along with a single stranger, but a mass of strangers seems intimidating? Where is the line between the foreign and the familiar?
Tom and I are about to hike the Dragon’s Back to Shek-O, a village on the South East of the Island. As I make ready to go, I’m thinking about these entries I found on the on-line thesaurus:
Foreign: alien, alienated, antipodal, barbarian, barbaric, borrowed, derived, different, distant, estranged, exiled, exotic, expatriate, external, extralocal, extraneous, extrinsic, far, far-fetched, far-off, faraway, from abroad, immigrant, imported, inaccessible, nonnative, nonresident, not domestic, not native, offshore, outlandish, outside, overseas, remote, strange, transoceanic, unaccustomed, unexplored, unfamiliar, unknown
Succor/Solace: comfort, help, mitigation, refuge, relief, rescue, support, aid, ameliorate, assist, avail, be good for, better, build, contribute to, do for one, relieve, serve, succor, allay, alleviate, buck up, cheer, comfort, condole with, console, mitigate, soften, soothe, upraise, assuage
- Zach
Tom in Central

The One You Love is Sick


Bethanie in Pok Fu Lam

Inscribed in Latin above the front door lintel is Bethanie’s motto: “Lord, the one whom you love is sick.”
These words, from St. John’s gospel (John 11:3) refer to Lazarus, and are found in a message sent by Martha to Jesus. Bethanie was named after the village where Mary, Martha and Lazarus lived, where Jesus made a point to visit just before the Passion in order to bring Lazarus back to life - "Our friend Lazarus has fallen asleep; but I am going there to wake him up."
Awesome.
At the end of next week, Tom and I will be presenting a site-work at Bethanie created in collaboration with the artists participating in our masterclass. We’ve yet to meet these artists, we’ve not yet fully wrapped our heads around the site.
We don’t yet know how the piece will come together, what it’ll be about, but Tom and I are agreed- It’ll be called The one you love is sick.
- Zach

Thursday, April 15, 2010

Bethanie, An Overview


Bethanie in Pok Fu Lam

Hello Blogsphere,
I’m writing a few days after arriving. Still turned around and have not yet totally reacclimatized to being back in Hong Kong. The dim sum is helping, though.
Tom and I just did our first visit to Bethanie, the site where next week we begin the Aedas My Footsteps masterclass series and performances.
Bethanie is fantastic. It is architecturally beautiful. Its grounds are gorgeous. And most exciting for me, the site has a rich, convoluted history. It’s riddled with all sorts of cultural/social complexities and contradictions. Exactly the type of site I get jazzed about.
It is a perfect site to begin teaching and collaborating with a new group of artists.
Following is a reader’s digest history of the site:
Bethanie was built between 1873 and 1875 by French Missionaries to be the first sanatorium in this part of the world. Built in Pok Fu Lam – some distance from the congested Central area of Hong Kong Island – Bethanie was designed as a haven to serve priests suffering from long term health issues and recovering from the rigors of missionary work. Initially, Bethanie included a chapel, 14 bedrooms for ailing priests as well as a service wing and several other rooms.
Bethanie operated as a sanatorium for 101 years. In the interim, it weathered an occupation by the Japanese during WWII and dealt with the repercussions of the Communist revolutions in 1949. Sold to Hongkong Land in 1974, Bethanie seemed doomed to demolition. However, the government resumed the site in 1975, and it was eventually listed as a heritage building. In 2003 the Hong Kong government allocated Bethanie and two octagonal cowsheds (which neighbored the site) to the Hong Kong Academy for the Performing Arts. In 2006 Bethanie re-opened and currently houses the Academy’s School of Film and Television.
The site has undergone several expansions and renovations in its history. Most notably, the renovation efforts prior to its re-opening in 2006, when the Academy spearheaded an effort to modernize the building, refurbish the site, and restore many of the original elements including the altar, main and chapel doors, statues, and stained glass.
-Zach

Wednesday, April 14, 2010

Hello Hong Kong


So Hong Kong is different than Tucson. Just to clear that up.
I’ve just arrived after a 15 hour flight from Tucson, AZ where I and my co-choreographer, Tara O’Con were working on a fantastic new play by Dawn C. Sellers entitled Frozen Heart. Tara and I spent two weeks in Tucson working rigorously with our collaborators to get the show performance-ready. It was a fast and dizzying process… and because of the long-distance collaboration… we had worked for less than 12 days with our fellow cast members.
But even after that whirlwind, Hong Kong still has me reeling. It’s the seamless integration of the familiar and the foreign, I think, that really jostles your perception.
And it’s all coming at you very, very fast.
And it’s coming at you on the wrong side of the street, no less.
I love Hong Kong. Perhaps for these very reasons. I’m reminded of our first trip here in 2007, when our group all marveled at how at home we felt. Hong Kong has a very similar vibe to New York in some ways…and yet simultaneously feels mind-bendingly different.
In any case, coming from the warm calm of Tucson, I’m out of practice operating in a city. And certainly, way out of practice dealing with this one. I’m looking forward to hitting my stride once I settle in, shower, and figure out how this Octopus Card works again…
-Zach

Tuesday, April 6, 2010

Hong Kong, Here we Come!


Photo of Zach Morris & Tom Pearson; Hong Kong, 2007
Photo Courtesy of the Hong Kong Youth Arts Foundation

One week until we are in Hong Kong again! If you missed our previous announcement, scroll down for project details below.

In the next several days we will be launching a new series of blog entries documenting our research, planning, development, workshops, rehearsals and performances for the "Aedas My Footsteps" dance master class series.

In 2007, we shared our process for creating Strangers on Tong Chong Street, part of the SWIRE Island East Urban Dance Festival presented by the Hong Kong Youth Arts Foundation (to revisit this series of blog entries, see links at the very bottom of this entry). Continuing Third Rail Projects' relationship with HKYAF, and this time around with project support from Aedas, we are thrilled to share this new chapter in our efforts to help promote, sustain, and develop dynamic site-specific partnerships between US-based and Hong Kong artists.

PROJECT DETAILS: For the current project, the focus is on choreographer development and training, with a culminating series of performances April 24, 2010.

Sponsored by Aedas, Hong Kong Youth Arts Foundation in collaboration with renowned New York site-specific choreographers Tom Pearson and Zach Morris of Third Rail Projects(TRP) to present “MY FOOTSTEPS”, a choreography development series this April.

MY FOOTSTEPS aims to engage students, performers and audiences by animating a series of sites through rigorous choreography and performance and unveiling layers of topographical information to deepen viewers relationships with public space. The creative process will be filmed and available as a teaching guide for participants to enable future site-specific endeavors.

The Bessie Award-winning artists of TRP will conduct five master classes with a group of local emerging choreographers and lead them through their unique process of creating site-specific movement works at a unique location in Hong Kong. The participating emerging choreographers will perform 15 minutes of finished work (of their own and with TRP) for an intimate audience on site. Selected choreographers will then conduct a one-day dance workshop for a group of local dance practitioners and encourage them to continue with the work.

20 chosen applicants will go through a five-day intensive dance workshop from 2pm to 9pm, April 19-23, 2010.

The project is suitable for emerging choreographers, age 18 and above. Free admission to all for performances.

* * * * *

Our first Hong Kong Site-Specific Blog Series, from 2007:

12/03/07: "Site-Seeing"
12/07/07: "Interpretations"
12/11/07: "Daily Motion"
12/15/07: "Crowd Control"


Thursday, February 4, 2010

AEDAS My Footsteps – Dance Master Class Series



Site-specific workshop intensive this April in Hong Kong.

If you are in Hong Kong and are interested, Click Thru to read more and to download the application.
Applications are due March 7, 2010.
Workshop is April 19-23rd, 2010 and is free of charge for those selected.
Sponsored by Aedas, Hong Kong Youth Arts Foundation in collaboration with renowned New York site-specific choreographers Tom Pearson and Zach Morris of Third Rail Projects (TRP) to present “MY FOOTSTEPS”, a choreography development series this April.

MY FOOTSTEPS aims to engage students, performers and audiences by animating a series of sites through rigorous choreography and performance and unveiling layers of topographical information to deepen viewers relationships with public space. The creative process will be filmed and available as a teaching guide for participants to enable future site-specific endeavors.

The Bessie Award-winning artists of TRP will conduct five master classes with a group of local emerging choreographers and lead them through their unique process of creating site-specific movement works at a unique location in Hong Kong. The participating emerging choreographers will perform 15 minutes of finished work (of their own and with TRP) for an intimate audience on site. Selected choreographers will then conduct a one-day dance workshop for a group of local dance practitioners and encourage them to continue with the work.

20 chosen applicants will go through a five-day intensive dance workshop from 2pm to 9pm, April 19-23, 2010.

If you are a local (Hong Kong) emerging choreographer (age 18 or above) with a passion for dance and interest in experimenting with methods for creating site-specific performance, please
download and complete the application form.

Interviews will be held in March. 20 chosen applicants will go through a five-day intensive from 19th to 23rd April 2010 (five full days).

Workshop is suitable for emerging choreographers aged 18 or above.

Free to those selected to participate.

Sunday, January 24, 2010

Tom Pearson with the Thunderbird American Indian Dancers at Theater for the New City


Tom Pearson in Ceremony; Photo by Richard Termine, © 2003

Tom Pearson will perform his contemporary dance solo, Ceremony, which originally premiered in 2003, as part of this year's Thunderbird American Indian Dancers Concert and Powwow at Theater for the New City.
In addition to Ceremony, which deals with issues of identity, inheritance and reclamation, Pearson also performs in several of the traditional works on the program including a special Hoop Dance duet with Donna Ahmadi.
For more information on the full program, or for tickets, contact information, and directions click through to Theater for the New City.
PLEASE NOTE: Ceremony will only be performed on the evening programs, not the 3pm Children's Matinees. See dates, times, and ticket prices below.
More About Ceremony:
Describing the work in 2003, The New Yorker wrote: "In 'Ceremony,' the evening's standout piece, Pearson (who is part Cherokee and Muskogee) grapples with his Native American heritage. Emerging from an over-sized dream catcher, he twists abruptly, responds to the chants of a drum circle, hinges backward to the ground, and finally returns to his dream catcher sanctuary, where family photographs rain down on him." Additionally, Tobi Tobias praised the work in The Village Voice, describing it as "...a brief, ritualistic solo that combined a rapt mood with movement suggesting a fierce form of martial art." For more on Ceremony and the Thunderbird American Indian Dancers concert this month, read Eva Yaa Asantewaa's current interview with Tom Pearson on InfiniteBody.

Theater for the New City
155 First Avenue
(between 9th and 10th Streets)
New York

Friday - Sunday, January 29 - February 7, 2010
Friday - Saturday at 8pm
All Tickets $10 Adults
Children's Matinees Saturday & Sunday at 3pm
$1 Children Under 12
(Must be accompanied by paying adult)
NOTE: Ceremony will only be performed on the evening programs, not the 3pm Children's Matinees.

Video Trailer of Ceremony as performed in 2005: